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Top 10 Rated audio compressor in 2023 Comparison Table
Bestseller No. 1
ART Pro-VLA II Two Channel Vactrol-based Compressor
- VCA-Less Vactrol Opto-Compression Design, Mastering Quality Audio Signal Path with Tube Gain Stage, Variable Threshold, Ratio & Output Controls
- Enhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool
- LED Backlit VU Input/Output Level Metering Indicates Both Average Level And Peak Hold
- Accurate Ten Segment LED Gain Reduction Metering. +4dBu/-10dBu Mode Switch Optimizes Pro-VLA II For Interface with Professional OR Consumer Grade Components
- Active Balanced XLR And ¼-Inch Inputs & Outputs. Toroidal Transformer Reduces Mechanical & Electrical Hum
Bestseller No. 2
FMR RNC 1773 Compressor Unit
- Size: 1/3 x 1 EIA rack unit
- Connectors: 1/4" Unbalanced I/O (TS, or TRS forconsole inserts); L/R in & out, TRS sidechain
- Controls and Displays
- Operating Level: 0.775 Vrms (0 dBu) nominal
- Noise: Less than -90dBu over 20-20kHz
SaleBestseller No. 3
Warm Audio WA76 Discrete Compressor
- True to the Classic 1176 compressor in design and performanceCompletely discrete signal pathModeled after the D revisionUtilizes USA made CINEMAG input and output transformersSupports the famous "all buttons in" ratio settingUltra fast attack timeClass A line level output amplifier
- Every effort was made to remain faithful to the original designs including the use of Reichenbach Engineering's (now CineMag) transformer design that was originally used
- The classic 1176 was a major breakthrough in limiter technology - the first true peak limiter with all transistor circuitry offering superior performance with a signature sound - and set the standard for all limiters to follow
- The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176 - Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that's continued to grow, for nearly 50 years
SaleBestseller No. 4
Warm Audio BUS-COMP Stereo VCA Bus Compressor
- Stereo VCA Bus Compress with 5 Ratios
- Side Chain Input Filter
- Cinemag Transfmers
SaleBestseller No. 5
Warm Audio WA-2A Tube Opto Compressor, Silver
- Fully discrete signal path Utilizes custom USA made CineMag input and output transformers Utilizes USA made Kenetek opto attenuator Premium Tung-Sol and Electro-Harmonix tubes Variable Pre-emphasis, allows for compression high-pass filtering Stereo-link capability XLR and TRS balanced line level inputs - 600 ohms impedance XLR and TRS balanced line level outputs - 600 ohms impedance Frequency Response +/- 1 dB, 15 Hz to 20kHz Gain 40 dB +/-1dB Input Level +16 dB max
- True to its inspiration; the WA-2A boasts an all tube, completely discrete signal path with through-hole component topology
- It also features custom, large-core Cinemag input and output transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell, considered by many to be the world’s finest
- No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic optical tube compressor
- For decades, the renowned ‘2A type circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way
SaleBestseller No. 7
ART SCL2 Compressor
- Dual Channel or Linked Stereo Operation
- 1/4-Inch TRS Side Chain Inserts
- 1/4-Inch TRS And XLR Balanced Inputs
- 1/4-Inch TRS And XLR Balanced Outputs
- Stereo Mode Balance Control
Bestseller No. 8
Heritage Audio SUCCESSOR Stereo Bus Compressor
- With Carnhill Transformer-balanced I/O
- Stereo Bus Compressor
- Stepped Controls
- Stepped Controls
- Diode-bridge
Bestseller No. 9
KLARK TEKNIK 76-KT
- Classic FET-style compressor modeled after iconic 1176LN*, D and E Revisions
- Completely discrete signal path
- Class-A line-level output amplifier
- Custom-built, MIDAS input and output transformers
- Push button selection of compression ratios: 4:1, 8:1, 12:1, 20:1
Bestseller No. 10
MP3, MP4 Audio Video Cutter, Converter, Compressor
- Convert Audio into MP3, AAC, AC3, WAV, OGG, M4A, FLAC etc formats.
- Convert Video to MP4, MKV, AVI, 3GP, FLV, MTS, MPEG, MPG, M4V, MOV, VOB etc formats.
- Convert any format of Video to Audio formats like MP3, AAC, AC3, WAV, OGG, M4A, FLAC.
- Compress Audio to different encoding like CBR ,VBR and by changing the bit rate to 32,64,128,150, 180, 200 etc.
- Compress and change the resolution of Video to MP4, MKV, AVI, MPEG, MPG, 3GP, FLV, MTS, M4V, MOV, VOB etc.
Our Best Choice: Behringer Compressor (MDX4600 V2)
Our rating: (4.3 / 5)
(4.3 / 5)[ad_1] BEHRINGER MDX4600 V2 Reference-Course 4-Channel Expander/Gate/Compressor/Peak Limiter with Dynamic Enhancer and Lower Contour Filter
IRC (Interactive Ratio Handle) expander/gate circuitry for just about inaudible sounds suppression
Switchable dynamic Enhancer for excellent, lively audio even with large compression
IGC (Interactive Achieve Handle) peak limiting circuitry brings together clipper and plan limiter for trustworthy and inaudible safety from sign peaks
Switchable Reduced contour filter stops “pumping” owing to lower-frequency dominated compression
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